Let's pretend we never touched the sugar ♫

got meme: [1/3] male characters - bran stark

“You are the winged wolf, and there is no saying how far and high you might fly…”

ootheca:

Red Team buttons for Fanime!
Blu Team here

ootheca:

Red Team buttons for Fanime!

Blu Team here

ootheca:

Blu Team buttons for Fanime!

Red Team here

theambiguoushero:

I am vengeance.

I am the night.

I

am

Game of Thrones S03: My Understanding so Far

(Fuente: wantstobelieve)

amarriageoftrueminds:

angelwingkayla:

Unorthodox

Will’s face is priceless.

8yearoldslut:

me arriving at the gates of hell

(Fuente: dyinglolita)

likeafieldmouse:

Christian Boltanski - Kaddish (published in 1998) - Objects confiscated by Nazis, some found in sewers, deposited in the Central Jewish Museum, Prague
“The banal tenor and specificity of context in Boltanski’s still-lifes introduce an interesting dialogue as the tonality and depth, or lack thereof, in his photographs render what are reasonably delicate subjects, into mute and objectified echos from a nonspecific time or place. Boltanski’s infatuation with confiscated war relics, (post-) belongings and objet trouvé presented throughout his tetrad make reference to the anonymity and translucence of memory, the interstitial space between sentimentality and indifference, and ultimately focus on transience, singularity and, often forced, despondency.
Having absented himself from formal education in his preteens, Boltanski moved from rudimentary sculpture, drawing and painting to installations of pensive and introspective sculptural, filmic, and photographic works, questioning his own substance and significance in relation to memory, lineage and cultural praxis.
When Boltanski’s work seems to display a profound melancholy or contemplation on histories past, it is the artist who abruptly categorizes his works as quotidian debris, coincidence or ‘stupid’ objects – stating that that it is ‘simply much easier to be dead, than to be alive.’”

likeafieldmouse:

Christian Boltanski - Kaddish (published in 1998) - Objects confiscated by Nazis, some found in sewers, deposited in the Central Jewish Museum, Prague

“The banal tenor and specificity of context in Boltanski’s still-lifes introduce an interesting dialogue as the tonality and depth, or lack thereof, in his photographs render what are reasonably delicate subjects, into mute and objectified echos from a nonspecific time or place. Boltanski’s infatuation with confiscated war relics, (post-) belongings and objet trouvé presented throughout his tetrad make reference to the anonymity and translucence of memory, the interstitial space between sentimentality and indifference, and ultimately focus on transience, singularity and, often forced, despondency.

Having absented himself from formal education in his preteens, Boltanski moved from rudimentary sculpture, drawing and painting to installations of pensive and introspective sculptural, filmic, and photographic works, questioning his own substance and significance in relation to memory, lineage and cultural praxis.

When Boltanski’s work seems to display a profound melancholy or contemplation on histories past, it is the artist who abruptly categorizes his works as quotidian debris, coincidence or ‘stupid’ objects – stating that that it is ‘simply much easier to be dead, than to be alive.’”

singingtotheplants:

Scars update.
Few anon and not asking for progress photos of the healing on this piece in my inbox. So here you all go.
Tbh I think that’s it for it all now :-) its totally white and the scars haven’t changed in a while. So think I’m now fully healed :-) very happy with the result and I will get more work done soon I hope.
If anyone UK based wants work like this done I can’t recommend Iestyn highly enough for doing the work for you.

*disgruntled moan*

darkness1000:

“How did you know? How did you know it would be her?” “Something… in her file. A hunch.”